Saturday, January 30, 2010

One Top Cookie

Here's one man's idea of how to support your local sacred musician. Thanks to Frank Goodwin, The Boston Globe, and Alex Beam. Enjoy!



VOICES

One top cookie

Frank Goodwin sells macaroons to assist Episcopal choir schools

By Alex Beam
Globe Staff / January 29, 2010
In March , 2008, The New York Times reported on a “crisis’’ at Manhattan’s Century Association, a posh membership club. The venerable Century had lost its 60-year supplier of macaroons, which it serves to all guests at the end of both lunch and dinner. The search for the perfect macaroon had dragged on for six months and threatened to last forever.
That quest eventually led to a ramshackle, three-story building at the corner of Everett and Lamson streets in East Boston, where a remarkable 75-year-old man named Frank Goodwin makes his St. Emilion macaroons. These are not the squishy coconut macaroons favored by some bakeries. They are silver-dollar-size, honey almond macaroons, made according to a recipe popularized by Ursuline sisters in France, later adopted by Melrose caterer Stanley Flagg, and passed on to Goodwin.
It would be interesting enough that a retired engineer, dockmaster, Coast Guard swabbie, and lobsterman - that’s the same person - hand-makes macaroons, alone, laboring in front of a creaky Edison oven while listening to Howie Carr on the radio. “He seems like an irreverent slob,’’ says Goodwin, who clearly has a soft spot for irreverent slobs.
Goodwin is quite a character, in the good sense. He tosses off Burma Shave doggerel - e.g., “Hardly a man is now alive/ Who passed on a hill at 75’’ - and manages to weave his former neighbor at Commercial Wharf, the publisher Bernie Goldhirsh, and serial killer Lenny “The Quahog’’ Paradiso into adjacent sentences. Hint: They both liked macaroons.
Goodwin doesn’t drive, and hand-delivers his treats to Locke-Ober, the Somerset Club, the Harvard Club, and elsewhere by riding the subway or cadging a ride from some old salt-water pals. He carries a cellphone but has to phone a friend to ascertain the number. His website, www.mymacaroons.com, is awful, but he has lost track of the webmaster. “I think he’s gone out of business,’’ Goodwin moans. “I really don’t get the Internet.’’
Here is the rub. Goodwin lives like an anchorite in a shared home on Bayswater Street, 2,000 feet northeast of Logan runway 22 left. Much of his personal income, and all of the proceeds from the macaroon business, go to charity. And not just any charity. Goodwin is a firm believer in Anglican musical education, and usually pays for two students to attend the St. Thomas Choir School on Manhattan’s West Side. He also donates to All Saints Parish in Ashmont, which has a famous boys’ choir, and to the Boston City Singers.
How did Melrose-born Frank Goodwin, raised a Roman Catholic and publicly educated, become an angel for Episcopal choir schools? While serving at New Jersey’s Fort Dix in 1957, Goodwin and a few Army buddies asked a New York cab driver to ferry them to a Catholic church on Easter Sunday. By mistake, the cabbie dumped them at St. Mary of the Virgin on West 46th Street. An Episcopalian was born. “I liked the smells, the bells, the music,’’ Goodwin remembers. “And the rector had a wife, which was pretty interesting.’’
Goodwin is not musical himself, although he is convinced that music is the ideal handmaiden for elementary education. He is not obsessively religious. “I go to All Saints a few times a year, and I venture down to St. Thomas’s now and then,’’ he says. He calls Trinity Church in Copley Square “the quintessential expression of Western Christianity,’’ but he’s not a regular there, either. “I am what I am,’’ he told me in the course of several conversations. “I hate to be defined.’’
When we met this week, he lit a couple of gas jets to warm up his Everett Street bakery, and put on a DVD of Simon Chase, then an eighth-grader from Dorchester, playing Bach’s Violin Concerto in A minor at the St. Thomas’s graduation four years ago. Goodwin helped pay for Simon and two of his brothers to attend St. Thomas’s. “He also buys a Swiss Army wristwatch for every boy,’’ Simon’s mother told me, “because he noticed that they don’t all get prizes at graduation.’’
“This is as good as it gets,’’ Goodwin mumbled as we watched Chase finish the four-minute piece, to thunderous applause. Yes, I think it is.
The St. Emilion macaroons passed the Globe’s taste test: “Incredible!’’ said my colleague Bella English; “Growrff!’’ said Charlie Pierce. Order them from Woodstock, Vt.-based www.gillinghams.com, and help make the world a more euphonic place.
Alex Beam’s e-dress is beam@globe.com

Wednesday, January 27, 2010

Making compassion cool: an interview with Karen Armstrong

I'm not sure that compassion has ever been uncool, at least not with me, but even I'm not foolish enough to think we've manifested all we need to get by (You're all I need to get by... everybody sing! God, the stuff we can do without apps!:).

Click the title for the follow up interview to Karen Armstrong's TED award. TED funds ideas worth spreading. Karen's idea was The Charter of Compassion. It's worth reading. Here's a link to the original TED award speech, in case you missed it.
http://www.youtube.com/watch?v=SJMm4RAwVLo

Enjoy the day.

Sunday, January 24, 2010

It's the Rename Ana's Blog Contest! Fun! Beauty! Prizes~!

Have you ever wondered how I chose the name for the blog? Every time I see Support Your Local Sacred Musician, I wonder anew. I mostly wonder if I should change it, but I’m terrible at naming things. Then I look at it and wonder what possessed me to think it was a good name in the first place. It’s not as though I think the content is a bad idea, but after writing (and reading) the posts, it seems like not such a good fit. I can’t imagine anyone clicking on a blog with this title, and, it seems, no one else can either.


So, I’ve decided to have a contest. Let’s call it the Rename Ana’s Blog Contest. If you can think of a better name for the blog, leave a comment. If your submission is chosen, the prize is a copy of The Sacred Art of Chant: Preparing to Practice, and a copy of my latest CD, HARC: Blessed by Light.

If you’re bad a naming things, send this along to someone who loves to name things and make them do it.

Have a beautiful and fun day, and thanks in advance for the help.

Wednesday, January 20, 2010

Poems and Prayers

I read a lot of poetry, but not too much. I once made the mistake of reading every book of poetry in the Brightwaters Public Library on Long Island in too short a time, and didn’t feel like reading any more poetry for a very long time. I read through the section one author at a time, and it might have been too much Robert Lowell that drove me from poetry, but there were others toward the end of the alphabet that were irksome as well. Lately, poetry comes once a week, making sure I read someone new, someone old, and someone borrowed. I occasionally skip the truly blue. Wasn’t it T. S. Eliot who said that humans cannot bear very much reality? Well, he was right. It's taken practice to remember that it’s easier to open to life’s more painful aspects, rather than just shutting down. I wish I’d begun that task a little sooner.


First thing this morning came the hard news of a friend in trouble. Seems this week has been filled with friends in trouble, strangers in trouble, countries in trouble, mothers and brothers in trouble; even I had my small share over the weekend. But this morning's news hit hard and shook me. So, I turned to poetry. I had been rereading Elizabeth Cunningham’s Small Bird: Poems and Prayers, specifically her poem Healing Song, in thanksgiving for my trouble leaving me in peace, but this morning I opened the book again and I found this:

Broken Home

Everything is here to stay,
one with the place we forgot to call home.
Shake the dust from your feet
and it remains the ground beneath them.
There is only change, river becoming rain
becoming river, fallen leaves
feeding the roots of trees feeding leaves,
the slow redemption of rot.
It is the indestructible that destroys,
the things that won’t break down
that may break us – unless
we break first, as an egg shatters
to release the bird
or a seed splits open and
takes hold in the earth.


Healing Song

At your feet, the earth
In your womb, the sea
In your belly, the fire
At your center, the sun
In your heart, the flower
In your throat, the sky
On your brow, the moon
At your crown, the star
In your hands, the earth.


It's funny how I never really saw these two were on facing pages until this morning. I suppose I never needed them at the same time before. Be well.

Elizabeth Cunningham is the author of The Maeve Chronicles, trilogy (so far) about the Celtic Mary Magdalen, and much beautiful poetry.

Tuesday, January 19, 2010

Greetings, friend,
I've been dreaming of blogging again, so here goes. We begin this new year with a sermon preached in Atlanta by Cynthia Hizer, after having attended a Sound as Prayer Workshop with Ruth Cunningham and me. You can understand why I try to do what I do.
I'll be back soon. Enjoy the day, and show love now!
Ana
****
Jesus said, “Now fill the jars with water.”
Were the jars empty?
The Heart Sutra, a teaching from Buddhism, says nothing is truly empty.
Everything is filled with something.
Air, moisture, fire, earth - potential.
Even empty, I bet if you blew across the top of a jar it would make a whistling sound.

So sound is there all along.
It is waiting to be activated,
waiting to well up from within itself
and be heard.
Waiting to be blessed.

That is the way I felt yesterday, during a workshop we held here at Epiphany. Ana and Ruth led us in chant, and breathing and silence. We came as jars empty, and we left filled.

It was hard to think about singing, about chanting, with so much pain in the world right now. Jesus said to fill the jar with water, and all I could think about was the Haitians so thirsty.
So empty.

I wanted to be silent.
But for Zion’s sake I will not be silent.
For Haiti’s sake, I will not be silent.

IT will not be silent, after all, this uncreated sound. It will be created when one of us stands up before the jar, the empty stone jar full of something, and we become the jar.

For its sake, for sounds’ sake, I will not be silent,
For Zion’s sake I will not be silent.

I will fill the jar with water.
I will fill my lungs with air.
I will fill my heart with care.
For our sake I will not keep silent.
It’s not as if we are empty inside.
Sound is in there, and I will find it.

For heaven’s sake I will not keep silent.
For Haiti’s sake I will not keep silent.

Fill the jars with water.
For Zion’s sake, fill the jars with water.
For healing, for peace, for mercy,
Fill the jars with water.

And what is this sound, this uncreated sound that won’t be silent?
I think it is our ability to be healed and to heal.
it wells up instinctively
with this water,
and is activated in this seedbed of a jar.
What better place for this than a wedding.

Jesus activated his miracle at a wedding, under
The canopy, through the new covenant and the
Blessing of life.
In Zion, the garden of blessing.
He activated it.

The uncreated sound, the blessing, is waiting
for something to activate it.
And so we activate it.
We step up the jar,
For Zion’s sake we step up to the jar.
We become the jar.
We take a stand.
We won’t be silent.

Because our very stepping up to the jar
activates the blessing.
Every kind act is stepping up to the jar.
Opening our hearts
Activates the miracle.

The miracle in Jesus’ time was turning water into wine.
The miracle in our time is finding the water and becoming the jar.
And being the people who activate the blessing.

The people of Haiti are waiting for us to fill the jars with water.
to activate the blessing.
And they are singing.
All over the island, in the sea of sadness,
in the tent cities,
On the president’s lawn,
people are singing.
If they can sing, I can sing.

And so I sang yesterday. A room of us sang, here,
Toning the sounds of the charkas,
singing to activate our hearts.
It is an act of kindness, of bravery -
to create the uncreated sound.
It activates the blessing.
It brings the miracle.
It is full of something.

Now: fill the jars with water.
amen

Jan 16 2010 epiphany 2 Homily for 6 p.m. Holy Eucharist
Episcopal Church of the Epiphany, Atlanta Ga.
The Rev Cynthia Ann Hizer