Showing posts with label Children at Play. Show all posts
Showing posts with label Children at Play. Show all posts

Monday, July 16, 2012

Esperanza Academy Summer Music Camp



I spent last week at Adelynrood Retreat and Conference Center in Byfield, MA with the entering 5th grade class of Esperanza Academy in Lawrence, MA. Esperanza is a free tuition Episcopal School for girls (mostly Latinas, in grades 5-8). Everyone sang and played percussion. We had a blast learning music, building community, and tossing out words like loquacious and parody (I know you're wondering how those particular words came to be chosen).

I wrote about this project at the beginning of the year here, and between the school and the Society of the Companions of the Holy Cross, the keepers of Adelynrood, everything came together and exceeded my expectations. I learned a lot, the girls learned a lot, and hardly any children were harmed, although we did unintentionally scare one. I also tried my best to lose a few of them at the beach, but every time I counted they were all still there, asking questions like: "Miss! Are there fish in that water? I'm not going in if there are fish!" That particular question called to mind the W.C. Fields joke about water, which would have been highly inappropriate to relate to 10 year-old girls. Besides, if I'd told it, none of them would have gone swimming, which is, after all, the point of going to the beach.

Every morning my alarm was set for 6:58 AM, but I awoke at 6:15 to the sound of four or five girls standing outside my room, their stacked heads peeking through the doorway, asking "Is she awake?" followed by a loud "Shh, she's still sleeping!" After the third time hearing the same call and response, it seemed only right to reply "She's awake." They'd come on in and tell me about the bug in someone's hair, whose hair sticks up in the morning like antennae, who was being mean, who was still asleep (not for long), who missed their mom or dad, who was hot or cold, who had almost fallen out of bed in their sleep, whose foot had miraculously appeared outside the covers, and who wanted a padded bra for Christmas (these kids are planners). Then they'd disappear and giggle their way to the next room. Sweet. Sweet. Sweet. One of my friends said the giggling is even better than prayer. I agree wholeheartedly.

A couple of the girls have infectious laughs and are happy morning people. I am not a morning person, but since I got home, I've been waking up very early. On the first day home after camp, I missed them. I also missed checking on them at night to make sure they were in their beds and trying to go to sleep. There's nothing like that last bed check (the fourth or fifth) when they are all sound asleep. Adorable.

I woke up this morning at 8 AM to that peaceful, easy quiet that wasn't an option last week, and kinda missed the racket and the giggling stacked heads. As I ate breakfast, there was no one to say "Sit here!" or to ask "What are we having for lunch? or "Will we have a snack? What will it be?" or my favorite: "Do we have to do music again today?"

We learned the usual notes, rests, scales, time signatures, key signatures, drummed some drums, practiced listening, learned to sing rounds, echo songs, some harmony, learned how to use a hula hoop, played games, had a campfire, made s'mores, went to the beach, where we saw the HMS Bounty replica in Gloucester Harbor; took a tour of the C.B. Fisk Organ Factory, played the organ and piano at St. John's Episcopal Church in Gloucester, laughed a lot, cried some, got over it, ate way too much sugar and other weird stuff (1c. ketchup on 1c. rice?).

I became an expert remover of splinters. Why I was the only adult capable of removing splinters remains unexplained. Next year I'll have to requisition a splinter removal kit.

Two of the girls wrote songs and sang them for us. A bunch of them love to sing and would join a choir if there was one at the school. Another wants to learn piano, and has the patience and focus to do it. My bedroom was directly above the piano, and I heard her patiently exploring the black notes for about 25 minutes, letting them ring, combining them and listening. I sneaked downstairs about fifteen minutes into the improvisation to see who it was, because it was quite beautiful and musical. Anybody wanna buy some piano lessons? Drop me a line. These kids were all musical, and I'd like to help keep it that way.

I am so grateful for my colleagues Mark Nelson, Carol Doran, and Caitlin Bixby, the advisor to the 5th grade class, and math teacher. Kathleen at C.B. Fisk, Inc. Designers and builders of organs led a great tour with help from Mark. The girls loved it. I'm also grateful for all the Companions at Adelynrood, especially those who helped us during the week: Louise (without whom I would have died), Ruth, Emily, and Marge. I cannot thank them enough. Kate, Carolyn, and the kitchen staff offered gracious hospitality and patience while surrounded by running, laughing, starving girls.

We prayed every morning and sang all day long. There was a Service of Intercession on Wednesday and we sang. The Principal dropped by for an afternoon (we sang for her, too), and on the last day, the Headmaster came and sang with us. He can sing. The girls were surprised by this, and also terrified of him (heh heh heh).

As the Headmaster and I were walking out after the singing, I suggested that we could do it again next year, possibly make it one day shorter and lose the beach day. He countered with "I was thinking of two weeks, and we can bring the whole school." I told him I didn't think I had two weeks in me, and he said maybe ten days, and that we could add some academics so it wouldn't be so much work.

Ahem. Even though I can see how ten days might be no different than two weeks, I'd love to.

Thursday, January 12, 2012

Bread, Roses, and Esperanza por Todos

I'm just beginning work on a project with The Esperanza Academy in Lawrence, MA, a middle school for girls. Holy synchronicity, Batman! It just so happens that today is the 100th anniversary of the Lawrence, MA textile strike, which you may not remember, but which, coming shortly after the Triangle Shirtwaist Fire in NYC, was an important catalyst in the history of labor rights, especially for women. Lawrence, MA was a big woolen center, made so on the backs of the workers who averaged $8.76 a week for a 56-hour work week. Yup, read it and weep. $8.76 a week is about 15.6 cents an hour.

In January of 1912, the great State of Massachusetts, ever progressive, changed a law and decreed that 54 hours was the maximum number of hours women and children could work. Yes, women and children. When the companies reduced the hours to 54 to comply with the law, they also took away the 31 cents (on average) that workers would lose due to the reduction in hours. Yeah, you read it right, 31 cents! 31 cents was worth striking for, and 20,000 people went out, yelling "Short Pay! All Out!"

The strike spread significantly and lasted ten weeks. The strike committee was a democracy, and had 56 members, representing 27 languages. My favorite factoid from the strike is that the committee had a substitute committee lined up in case they were thrown in jail. Ultimately, the work week was reduced to 50 hours,

The following poem was written by James Oppenheim and published in December 1911 in American Magazine. It quickly became an anthem for the labor movement and is still sung today, to one of three song I've been able to trace. The original setting was by Caroline Kohlsaat, there is an Italian tune called "Pan e Rose" by Arturo Giovannitti, which is used by the Italian Dressmakers' Local 89 of the ILGWU (International Ladies garment Workers Union), and there's a tune by Mimi Farina from the 1960's which was recorded by her sister Joan Baez, which has always been one of my favorites.

As we come marching, marching in the beauty of the day,
A million darkened kitchens, a thousand mill lofts gray,
Are touched with all the radiance that a sudden sun discloses,
For the people hear us singing: “Bread and roses! Bread and roses!”

As we come marching, marching, we battle too for men,
For they are women’s children, and we mother them again.
Our lives shall not be sweated from birth until life closes;
Hearts starve as well as bodies; give us bread, but give us roses!

As we come marching, marching, unnumbered women dead
Go crying through our singing their ancient cry for bread.
Small art and love and beauty their drudging spirits knew.
Yes, it is bread we fight for — but we fight for roses, too!

As we come marching, marching, we bring the greater days.
The rising of the women means the rising of the race.
No more the drudge and idler — ten that toil where one reposes,
But a sharing of life’s glories: Bread and roses! Bread and roses!
-1911

"It was the spirit of the workers that was dangerous," wrote labor reporter Mary Heaton Vorse. "They are always marching and singing. The tired, gray crowds ebbing and flowing perpetually into the mills had waked and opened their mouths to sing."

Can't have too much marching and singing, no ma'am. You cannot have too much of that.

So, back to Esperanza. I hope to help these girls tell their stories and sing, and together we'll figure out how to work with and honor the gifts we've been given. We'll see how their stories are woven into the fabric of the larger community narrative and we'll all learn a lot. Can't wait.


Sunday, September 19, 2010

Virginia Girls Choir

When I enter into a relationship with someone, I want it to go both ways, especially with children. Like it or not, we have a tremendous effect on them. They see and hear everything, and especially notice whether they're being excluded or included in our lives and the decisions that affect us all. I had the oportunity to spend ten days with the Virginia Girls Choir in June, and we recorded what's turning out to be a really different and great Christmas CD (Look for it soon: An Unexpected Christmas.)

We met in 2009 at their choir camp and got along well, me trying to remember twenty-plus names in three days, and them trying to have a little more fun than the structure allowed (just like I used to do). I was asked to come back for Christmas, and we had some fun, but Christmas is crazy; plus I was still trying to remember all those names (about which they tested me mercilessly), and recovering from a terrible cold.

Dan called in April (have I mentioned the extremely talented, funny and adorable Dan Moriarty, whom I've known just 18 months, and with whom I am developing a fine friendship? It turns out we work well together, too. Nice. The fact that we're both from Long Island is a plus in this relationship. Who knew? The other, bigger plus is that he's great with the girls and has the patience of a saint (I'm hoping some of it rubs off in my direction). Dan is the fearless, overworked leader of the VA Girls Choir, the organist/choir director at St. Stephen's church in Richmond, VA, and a truly fine guy. He called and asked if I wanted to work on a Christmas CD with the girls. I said yes. That was before I realized it meant recording Christmas carols in late June, with the temperature hitting 104 degrees (I really need to be better about thinking these things through!).

The girls are young (10-14), and the oldest have only been singing together for two years, so some things are just not possible. However, the things that are possible are fun and beautiful, and I like nothing more than to be able to work with young musicians and help them feel good about themselves and their musicianship. This was driven home to me when I borrowed Lorin's folder one day and saw her markings in the music. The skills they learn (both technical and relational) while singing in this choir will serve them and change their lives forever, in a very good way. Being a member of a group like this is a transformative experience. Whether they're introverted, extroverted, immature or not, happy or not, great singers or people who will sing for fun with the car radio when they grow up, they are mostly sweet, and fun to work with, and it's been nice to watch them learning how to be in a group that is always changing. It was incredible to get to know them, learn their strengths and weaknesses, and watch the dynamics of tweens and teens together.

This month I've been sitting in the recording studio trying to turn all of our hard work into something even more beautiful and lasting than it seemed it might be while we were recording. I've heard great singing (That girl gets a sticker!) horrible singing (O.M.G. LMAO), and have done some of each myself. Nobody's perfect. I hope everyone likes it when it's finished, and that it sells a million Little Drummer Boys and Mater Ora's. Mostly, though, I hope you can hear and feel the love and sweetness that's gone into it.

I'm looking forward to Christmas in Richmond, but next year God, I'd really like to confine Christmas to December, okay? Thanks, Ana